#Dsp quattro vs hofa pro

UA has successfully created dedicated plug-ins that is modeled on high-end mastering hardware. The Apollo provides access to impressive array of Universal Audio’s plug-ins. With the ability to work at 24-bit/96kHz, the provision of plenty of I/O’s and a quick and easy set up makes for a great first time investment.

#Dsp quattro vs hofa pro

The Saffire Pro is a great introduction into the world of audio interfaces.

Dedicated Home Studio: Focusrite Saffire Pro 26 As mastering engineer, the main reason for any given choice would be the quality of the analogue-to-digital and digital-to-analogue convertors. Audio InterfacesĪn Audio Interface is used to connect equipment to a computer and improve its sonic qualities. It’s worth noting that any equipment listed not appearing under the heading Pro doesn't mean that it wouldn’t be found in a high-end studio. In this tutorial I'll show you the following equipment required in creating a mastering studio:Īdditional Extras that you should consider: Dedicated Home Studio: private use or just starting out.The recommend equipment is divided into three types of mastering studio: A great, relatively cheap program that just works.In this tutorial I'll help you to understand what is the most suitable equipment to purchase for a mastering studio. That aside, Hofa’s CD-Burn & DDP program is a fantastically simple tool that can play more than a minor role in your studio. Hmm… This should be adjustable in the preferences I reckon, but alas… But if you forget (perhaps because you’re zoomed in tight and can’t see the other tracks) and decide, for instance, to crossfade Songs 2 and 3 by seven seconds you will inadvertently create a gap between Songs 3 and 4 of that identical amount. Locking them together is as simple as holding down the Option key whilst you adjust the one furthest to the left, so it’s no big deal. I don’t like the way files in CD-Burn & DDP are edited on the timeline, each song file only locking to its downstream brethren when these are manually highlighted, though I’ll probably grow used to this idiosyncrasy in time.

They’re given the prominence and significance they deserve, making you wonder why the hell some other programs make these vital commands so difficult – they’re the whole point of the program after all! I like how the ‘Burn CD’ and ‘Write DDP’ commands are in big letters >, not hidden in a menu somewhere or only accessible via some obscure key command. I like the fact that the interface sports a goniometer (a ‘jellyfish’ meter to some) though it’s pretty small and could be vastly improved by allowing a double-click to increase its size and separate it from the main screen. I love the fact that this program is so simple to use, so reliable, so unassuming yet functional. CD-Burn & DDP, however, is pretty straightforward in this respect if you have a background in these sorts of programs.Ī bit like Waveburner, a bit like DSP Quattro, but with more stability than either, CD-Burn & DDP allows you to do almost everything that these sort of programs do: edit, fade, crossfade, apply plug-ins, add metadata like ISRC codes etc, burn a CD or create a (reliable) DDP, apply dither, export files and a hundred things besides. I’ve had a lot of experience with countless audio programs over the years, but that doesn’t necessarily give you a licence to drive all of them.